Don’t want this to just disappear into my tweet stream:
Americans head West in search of Wide Open Spaces, Risk, Opportunity, and Freedom; not Left in search of Safety and Dependency.
That one manages to sum up a lot of what matters for me.
reflections of a pragmatic optimist, lover of freedom
Don’t want this to just disappear into my tweet stream:
Americans head West in search of Wide Open Spaces, Risk, Opportunity, and Freedom; not Left in search of Safety and Dependency.
That one manages to sum up a lot of what matters for me.
I have loved and enjoyed music all my life, but have never before or since experienced anything like the two weeks or so after 9/11, when, for the first time, I found it impossible to listen to any music at all. Music I had treasured all my life, with which I had felt a deep emotional connection, and in which I had sought refuge through many crises, fell flat on my ears, and seemed a distant artifact of another life that I could never return to.
I don’t remember any particular moment when I was first able to break out of that isolated silence. I think it was a gradual and tentative process. Thankfully, the human mind has a remarkable ability to adapt and recover, to put tragedy and horror behind and get on with the necessities of day-to-day life in the present. Eventually my ability to enjoy music somehow found a way to coexist with the gloom in the back of my mind, with daily thoughts of that terrible day and its consequences, of the fight we’re now in and how ill-equipped we seem to be as a culture to prevail.
It took years for our creative culture to begin to make sense of 9/11 and its world-changing aftermath, and for songwriters to grapple successfully with this extraordinarily difficult subject. The two superb songs that are especially on my mind this year are relatively recent.
John Ondrasik, who records and tours under the the band name “Five for Fighting”, wrote a remarkably stirring song about 9/11 and its psychological aftermath called “Tuesday”. Released on the 2009 album “Slice” (Amazon, iTunes), and given a fitting intro by John on his “Live in Boston” album (iTunes, “Tuesday” reflects on the ordinary day that became anything but, on the helpless sense of loss, of uncertainty whether further attacks would come, and our inexorable tendency to gradually forget, as even the most awful of memories slowly recede into our increasingly foggy recollections of the past.
John spoke briefly about “Tuesday” in this Big Hollywood interview, and was kind enough to confirm the lyrics for this post. I can’t do this deeply moving song justice in prose. — Go and have a listen…
Tuesday
One year like any old other year
in a week like any week
Monday lying down,
half asleep
People doing what people do,
loving, working and getting through
No portraits on the walls
of Seventh AvenueThen Tuesday came and went
like a helicopter overhead
The letter that she left,
cold addressed in red
Tuesday came and went
one, one September when
Will she come again?The thing about memories
they’re sure and bound to fade
Except for the stolen souls
left upon her blade
Is Monday coming back?
Well, that’s what Mondays do
They turn and turn around
afraid to see it throughTuesday came and went
like a helicopter overhead
The letter that she left
cold addressed in red
Tuesday came and went
one, one September when
Will she come again?Tuesday came and went
one, one September when
Cold and dressed in red,
how could I forget?
Tuesday came and went
like a helicopter overhead
Will she come again?
I found Jeremy Hoop’s “Remember (9-12)” just a couple of weeks ago, and it has replayed in my head ever since. More directly than any other song I’ve heard about 9/11, it addresses the West’s willful blindness and perilously persistent state of denial regarding what we’re up against.
“Peace, prosperity, pride. Our wizards said there’d be no ebb to this tide,” the song begins, conjuring the Fukuyama-esque belief that seemed to prevail through the 1990s — the belief that we had reached an “end of history”, that the future from there on held not the familiar historic cycles of conflict and the periodic return of tragedy, but an unprecedented deviation from all human history to date, in which liberty’s light would expand inexorably to illuminate the world and raise up all of humanity. To be sure, we had willfully shut our eyes to the threat of Jihadist warfare that had clearly announced its intentions (c.f. Osama Bin Laden’s 1988 declaration of holy war against the United States, and the subsequent bombings of the USS Cole, US embassies, and, in 1993, the World Trade Center). Together with their nearly 3,000 victims, the 9/11 Jihadist attacks on the United States irrevocably killed this naïve delusion that we had somehow escaped history’s grasp.
“And the sages did not see the spaces to hide, or the cracks in the footings, termites inside…” A dual reference, perhaps — to the 19 al Qaeda “termites” who had concealed themselves in plain sight among us, training for their horrible task in our flight schools, and living in our neighborhoods — and also to the damage of our own doing that had crept into our culture’s foundations, leaving us vulnerable to such an attack and only weakly able to respond to it. The lyric instantly brought to mind the opening of Bill Whittle’s superb 2005 essay “Sanctuary”, which I’ve quoted before:
What’s worse than crawling under your beloved house and seeing the foundation’s rotten with decades of termite damage?
NOT crawling under your beloved house and seeing the foundation’s rotten with decades of termite damage.
(Sadly “Sanctuary” is no longer online, but it can be found in print as part of Bill’s “Silent America” essay collection. I’ll keep an eye out for its return, and update the link in my Bill Whittle essay index when it surfaces.)
Jeremy goes on with uncommon songwriting grace, recalling our brief unity (or perception thereof?) in the wake of the 9/11 attacks, our determination to remember that day and understand its implications, and our subsequent withdrawal into an even more willful blindness, an insistence on doing the impossible, on retreating to the “9/10” mindset that had allowed the attacks to happen. “Just seven short years, oops! we’ve blown it again. The bubbles this time around are bigger times ten” We stand on the precipice overlooking an abyss, it seems — one that threatens to swallow us as surely as other civilizations before that have abandoned their own defense. If 9/11 wasn’t enough to wake us up, to snap us out of our willful denial, what will it take? Is there any hope that we, as a civilization, will avoid passively free-falling to our demise? Some of us still struggle to sound the alarm loudly and clearly enough so that our countrymen will hear and take heed, but it often seems a futile endeavor … as if no one is listening.
Can we put them back, pull the slack, right the track
But it’s business as usual, we’re playing the fool
Though no bodies falling to the ground, no smell of jet fuel
The carnage lying round the bend’s as real and as cruel
Much like the equally absurd notion of airliners full of passengers and fuel being turned into weapons and flown into buildings full of people, the idea of a devastating biological attack, or of a radioactive crater where a major city once stood, will continue to be nothing but a figment of far-fetched, scare-mongering fiction. Until it isn’t.
Many realms gone before have marched to their December
While the crowds cried “all is well!”
That fate will be ours if we don’t remember
Those days after, days after
The towers fell
…
Remember, Remember, Remember…
Jeremy Hoop can be found on Twitter as @jeremyhoop.
Remember (9-12)
Peace, prosperity, pride
Our wizards said there’d be no ebb to this tide
And the sages did not see the spaces to hide
Or the cracks in the footings, the termites insideThen darkness broke through that clear morn in September
When our land saw the blackest hell
I swore what I’d be, and I would remember
Those days after…When what to my wondering worry worn eyes
Mere strangers at once turn near kindred with binding ties
City to city to wide open country skies
No left or right, black or white, hands on hearts, all please arise!The light that shone through those dark days like an ember
Lit the fires of the citadel
And we swore what we’d be, we would remember
Those days after the towers fellShort memories, of braveries, of slaveries,
Prone to retreat
And walk through the door, like Rome before, forevermore
Known in defeat
The remedy, no mystery: know history
Or be doomed to repeat it.Just seven short years, oops! we’ve blown it again
The bubbles this time around are bigger times ten
The Animal spirits broke loose from the pen
Can we put them back, pull the slack, right the track
But it’s business as usual, we’re playing the fool
Though no bodies falling to the ground, no smell of jet fuel
The carnage lying round the bend’s as real and as cruelMany realms gone before have marched to their December
While the crowds cried “all is well!”
That fate will be ours if we don’t remember
Those days after, days after
The towers fellRemember the days after
Remember the day after
Remember the day after
Remember, Remember, Remember
In last year’s Independence Day post, I offered a playlist of my favorite Liberty-themed songs. This year, it’s going to be a brief, issue-focused post for me, as what I want most is to direct readers’ attention to a very important but uncertain new initiative:
Bill Whittle, PJTV commentator who first gained admiration and notoriety for his brilliant and eminently worthwhile “Silent America” Essays, has chosen July 4th, 2010 to launch “Declaration Entertainment”. By all means, watch this 4½-minute welcome video that explains what it’s all about:
See Bill’s 3-minute “Pioneers” video for more.
Pipe dream? Perhaps. Can it work? I honestly don’t know. But Bill has a plan, and he’s doing something, and while I hold out great hope that his idea will succeed tremendously, I greatly admire his initiative independent of the result. Because to me, this really matters.
Many of us have watched with increasing despair over the years, as the Hollywood we thought we knew growing up — one whose craft once promoted and unabashedly celebrated classically American values such as optimism, confidence, self-reliance, entrepreneurship, and heroism (including the heroism of American soldiers who risked everything fighting for the freedom of others) — has gradually transformed into the preeminent domestic broadcaster of anti-Americanism, social criticism, ambivalence, nihilism, and ennui. From the content it now produces to the invective its glitterati deliver from the pulpits of self-congratulatory awards ceremonies, Hollywood has mainstreamed the culture of shame, cynicism, social criticism, and self-loathing that was once largely the preoccupation of a small, bitter niche of radical-left academia.
Those of us who’ve felt this despair have realized that today’s Hollywood does not speak for us, our values, or our outlook. We’ve felt helpless to do anything but stop buying a product that routinely insults and vilifies us. Yet, for reasons that Declaration Entertainment’s introductory video explains, this strategy of passive withdrawal exerts no significant economic influence on the content that a now internationally-funded Hollywood produces, for what has become first and foremost a worldwide audience. I believe we’ll learn that it’s not enough to economically reject repellent content and its Hollywood creators. We ultimately need to find other ways of getting our own movies made, of producing and promoting alternative content that positively reflects our values and confidence in our culture.
Remember when School House Rock distilled the essence of the American Idea into educational and genuinely celebratory Saturday morning shorts such as “No More Kings”, “The Shot Heard Round the World”, “Elbow Room”, “The Preamble”, “Sufferin’ ‘til Suffrage”, and “Fireworks”? Watch them again (or most anything else of that era), with the eyes of 2010, and think long and hard about the tremendous change that’s occurred in our popular culture. Can you imagine educational shorts like these being produced and broadcast today? Why not? Would you ever, back in those days, have predicted such a transformation of attitudes?
It’s not supposed to be like this.
We have a choice.
If we care enough, we can usher in a new Renaissance of the American Idea.
Bill’s ambitious plan for “Declaration Entertainment” could, I sincerely hope, be the start of that.
Remember when we believed in us:
ps – Now that I’ve thoroughly depressed you: Go enjoy some uplifting music!
UPDATE 2021-01-29: Thanks to BillWhittle.com member Jack R. for reminding me about the Wayback Machine! Scattered copies of Bill’s essays exist around the web if you search for them by title, but there’s also a complete archive of ejectejecteject.com here.
UPDATE 2016-04-17: As of a while ago, “Eject! Eject! Eject” went completely offline, with no clear word yet from Bill on what happened or if/when its content will be back. Bill’s “Silent America” essays are still available on Amazon in print form, and there is a copy of “You Are Not Alone” here. We’ll have to make do with those for now. Here’s hoping we’ll see the full catalouge of his superb essays republished again. Their insight and ability to uplift are timeless.
UPDATE 2012-05-25:Fantastic news! “Eject! Eject! Eject!” is back on the air — and, with it, every single one of Bill’s superb “Silent America” essays, including the long-lost (except in print form) History, Victory, Magic, Responsibility, Strength (including Part 2), Deterrence (complete with its Part 2), Sanctuary (yes indeed, dear readers, there’s a Part 2 too!), and Power!
Here’s an updated list. Please disregard the list further below that I’ve crossed out.
(ps – Try setting your browser to ISO Latin 1 encoding If, like me, you see ‘?’ placeholder characters where much of the punctuation should be when viewing some of Bill’s essays. For Safari, this is “View” -> “Text Encoding” -> “Western (ISO Latin 1)”. Bill’s site is mis-declaring the content as UTF-8. Oh well. You can’t have everything.)
From previous incarnations of this post:
Bill Whittle’s incisive “Afterburner” PJTV editorials have brought his sharp thinking to a whole new audience, but it was Bill’s brilliant and uplifting writing on the history, character, and spirit of America that I and many others first encountered. Bill’s superb essays — which he published first online at ejectejecteject.com, and later in print under the title “Silent America” — lifted me up when I needed it most, and are far and away some of the very best writing about this precious American civilization of ours that I have had the good fortune of encountering.
Since I often find myself recommending Bill’s “Silent America” essays, and since attempts to do so are bedeviled by the fact that many did not survive Bill’s move from ejectejecteject.com to pajamasmedia.com/ejectejecteject intact, I’ve compiled a list of them, with links to the ones that made it over. Thankfully, Bill has begun republishing them one by one at his new Pajamas Media address, and I’ve linked to the newly published copies where available. The “Silent America” essays are, in order:
Unfortunately “(broken)” means there’s almost nothing there to read. Most of these essays are truncated after the first few sentences or words. I’ll come back and update these links as each essay is, hopefully, republished. Meanwhile, the previous, “(broken)” links are just for reference.
There is, however, hope! You can buy the complete set of essays in book form on Amazon, which I can almost guarantee you’ll want to do after sampling Bill’s unparalleled wares.
Bill, by the way, can be found on Twitter as @BillWhittle.
Also, here’s a link to all the blog posts where I’ve quoted or mentioned Bill’s writing.
Enjoy!
Previous updates to this post:
UPDATE 2010-09-06: I’m delighted to report that one of Bill’s very finest essays, “Trinity”, is now back online. Don’t miss it. Thanks to reader David B. for sending the updated links!
UPDATE 2010-09-09: Freedom is back up too! (Thanks again to David B.!)
UPDATE 2011-04-30: Sadly, pajampajamasmedia.com/ejectejecteject started returning blank pages recently. I have an email inquiry out to the site admins about whether the Eject! Eject! Eject! archives can be brought back. Meanwhile, all of the following links are currently non-functional. I’ll try to keep on top of the situation and update this post when it hopefully improves. Thanks for visiting!
UPDATE 2011-08-13: I just noticed pajampajamasmedia.com/ejectejecteject is back online, and the above Silent America essay links appear to be working again!
I’ve made a habit, for some years now, of collecting quotes that strike me as profoundly insightful or interesting, probably for all the same reasons that others do — for the keenly focused insight and concise expression of ideas they offer, as well as the inspiration and distilled wisdom they can call to mind on a moment’s notice.
Having recently sifted through the assortment of text files where I’ve been gradually stashing these hand-selected quotes away, I’ve assembled the best of them into a new “Quotes” page that I invite you all to visit.
The topics include Liberty & Economics, Cultural Confidence, War, and keeping Perspective. I hope my readers will draw as much enjoyment from them as I have.
UPDATE 2010-02-08: I’ve added several more selected gems, dug out of a handwritten journal I’ve kept off and on since September 2002. Enjoy!
In September 2001, I was living in Upstate New York (meaning, as the obligatory joke roughly goes, somewhere north of 186th Street). A little over a year earlier, I had heeded the call of wanderlust and left my rewarding but insufficiently purposeful and fulfilling videogame programming job in San Francisco to pursue my own entrepreneurial endeavor — the realization of ideas that had been gnawing at my restless mind for some time. The largely solitary research I then pursued being eminently portable, I was in the perfect position to relocate when my then-girlfriend, now wife decided to return to school for a graduate degree. New York state turned out to be the place, and the dramatically lower cost of living in the small town by the Hudson that we were headed for suited my purposes just fine. Lower expenses vs. living in Bay Area California meant a slower burn rate for the hard-earned, socked-away cash and investments I would be using to self-finance my project, and that was a very good thing — for what I needed most was time to think. We sold our furniture and non-essentials, and hit the road East for a new adventure. That was the summer of 2000.
Our first year of adapting to this transition went well, considering what a change it was transplanting ourselves to a quiet small town and the even smaller, more isolated community of the graduate art program. We had rented the upstairs of an old but satisfactory white clapboard house, for a price that would be unheard of back in California. We learned about heating oil and boilers and changing tires for the winter. We crossed a bridge over the magnificent Hudson River to do our weekly shopping. We visited historic sites that had been beyond the easy reach of our mostly car-less Connecticut college experience. We sledded.
I pursued my research, at the college’s libraries or at home, and strove daily to keep focus in my imperfect and occasionally uncertain, wandering mind. I had been on my own like this before (I will likely write about that at another time), knew that it would take all the self-discipline I could muster, knew also that if I didn’t persevere and give it my best shot I’d be driven mad by the road not taken, by ideas that would not leave me alone.
That year was also an eye-opening continuation of my first encounters with the Contemporary (as distinct from Modern) art world and the cultural attitudes and ideologies that have tended to dominate it, and a foreshadowing of many such encounters that would continue to this day (another subject I hope to write about at greater length another time). I had then only the first and faintest inkling of the bleak perspectives and frequent obsession with cynical cultural criticism that I would often encounter in the work of contemporary artists.
As summer 2001 rolled around, it became clear that our remaining assets weren’t going to last us comfortably another year at our current rate. Our investments weren’t doing as well, and I had underestimated some of our expenditures. I did some job-hunting, seeking to put my software engineering skills to use to generate some income for us. The suitable opportunities in that part of the country were few, and the prospects I did find would have required me to move on my own to Boston or Albany or New York City — incurring among other more practical inconveniences an emotional cost of separation that we did not want to bear.
In anticipation of my need to depart, my girlfriend had made arrangements to share an apartment with two of her female classmates who we had begun to get to know during the program’s first year. When August arrived and it became clear that I would not settle my job hunt before the time came to move, I was graciously invited to be a fourth roommate on a temporary basis. It seemed like a good arrangement, and it was at the time. None of us could have forseen the world-upending historic event that silently approached, or what it would mean for us.
On the morning of September 11th, my girlfriend and I were awakened from an otherwise ordinary night’s sleep by the alarmed shouts of one of our roommates outside our door. My girlfriend’s parents had called from their home in Europe, and our roommate had answered the phone and was relaying the news to us as she received it herself. I don’t know whether she was repeating exactly what was said to her, but I will never forget the sound of her increasingly alarmed words as she exclaimed through the door, phone in hand: “There are bombs all over New York!”
After hearing something so unthinkable we got up with a sudden start of course, and, like so many others that morning, headed to the TV with a great sense of urgency to find out what was happening. As the picture tube warmed up, in faded the scroll-by newsbytes, the solemn news anchor (I don’t remember which), and the terrible, haunting image of the North Tower of the World Trade Center bleeding a long, slowly rising plume of dark smoke. Reports were that a plane had hit the tower. Nobody knew why. Could it have been a terrible, terrible accident? How could such a thing have possibly happened?
We sat stunned and spellbound, anxiously awaiting each fragment of new information — even just new speculation — as the news coverage repeated and ad libbed in that early time before anyone had the remotest idea what had just happened, much less grasped its immense historic significance — that this was the sudden and irrevocable end of one era and the beginning of another. Hauntingly, the then-unexplained southward turn of American Airlines Flight 11, which was soon identified as the plane that had hit the WTC, had brought its flight path through skies fairly close to where we lived. I got a terrible chill thinking of its passengers’ last minutes alive, soaring past us down along the Hudson on that perfectly beautiful, crisp, clear day — surely, I supposed, not knowing the terrible end that awaited them in Lower Manhattan.
Then something still more unthinkable happened that, impossibly enough, shocked us out of the shock we were already in, and into a daze of complete disbelief and confusion — killing instantly any hope that this had been some awful accident. Before our very eyes, United Airlines Flight 175 flew into the South Tower.
As the impossible reality of the day’s events sank in, it gradually became clear to me: Our country and its people had been attacked. And in the slow dawning of that terrible realization through the coming hours — hours that brought with them the crashing of American Airlines Flight 77 into the Pentagon, the crash of United Airlines Flight 93 and its heroic passengers in a field near Shanksville, Pennsylvania, and complete uncertainty about what else might still be in store — both a terrible fury and a somber determination welled up in me. Things were going to be different now. They had to be. I was sure that we would snap out of our useless, toxic gloom of cultural self-doubt, drop our idle infighting over comparatively trivial disagreements, identify those who sought to cause us all such terrible harm, and go after them with swift and united resolve — unequivocally removing their capacity to mount further attacks, and never again allowing such a thing to happen.
The terrible events of September 11th changed me, and seemed to mark what I was sure would be a watershed, a tectonic shift for our entire country, and for the world. I assumed 9/11 had had a similar effect on everyone I knew. I was soon to find out just how mistaken I was in that assumption.
It wasn’t long before the self-recrimination began to flow from those around me, first in a trickle, then more and more freely as the days went by. Didn’t you know, we had it coming? Probably deserved it, even. Of course, we’re going to jump the gun and blame The Arabs, while those responsible were probably homegrown fanatics of our own making. (Oklahoma City was still fairly fresh in everyone’s mind then.) People who looked Middle-Eastern were of course going to be targets of random mob violence on a massive scale, and/or rounded up and put in internment camps, because — don’t you know? — that’s just the kind of unsophisticated, “jingoistic”, racist simpleton bumpkins we Americans are.
“I can’t believe what I am hearing in this house,” I finally declared after perhaps two or three days of this. How could anyone begin to rationalize and justify such malicious horror — the deliberate, premeditated flying of aircraft full of people into buildings full of people — the vicious mass murder of so many?
At this, our roommate who had answered the phone on the morning of 9/11 shot back unhesitatingly in a dead-serious fury: “America mass-murders every day!”
I’m quite certain that my jaw dropped in dumbfounded astonishment. I was stunned — flummoxed beyond any ability to comprehend and respond to the concentrated vitriol that had just reached my ears, particularly in light of all that had just happened. The cognitive dissonance left me frozen in my tracks, speechless. I held no pretension that our nation’s history was flawless and unmarred, but surely this degree of venomous contempt was not deserved. (During my visit for the program’s graduation the following Spring, the same roommate quite casually announced — in much the same way that one might express delight in the discovery of a new favorite ice cream flavor — “I think I’m a Marxist.” Well, there you go. At least she’s not affiliating herself with mass murderers.)
I might have been able to dismiss such occurrences had they remained confined to our household. I soon learned, however, that the decay afflicting our culture’s self-image was (and still is) much more extensive and persistent than I had realized. All around me in this academic setting, the primary concern seemed to be not how we were going to win this one or what despicable monsters the attackers were, but what unjustifiably terrible things the United States was now likely to do. Mass e-mails expressing American resolve to stand up and fight back, of the kind that commonly circulated back then, were derided. The then-ubiquitous U.S. flags that flew from car antennas and windows were greeted with a disapproving roll of the eyes. The increasing prevalence of the same flags on commercial products was derided too, consistent with a worldview that holds commerce to be something outside of us that manipulates us, rather than an expression of and by us, an integral and vital part of our own culture that was simply reflecting the defiant, heartfelt pride and determination to go on that many authentically felt. In response to my despairing expression of incomprehension at such horrific and vicious attacks, another of my girlfriend’s classmates referred me to a website that he gently assured me explained it all. And that it did — through the grim and twisted lens of Chomsky-ite faith in America the Ugly and Brutal, and her innumerable (or perhaps enumerable) sins that made us deserving of the world’s contempt and such a hateful, murderous surprise attack.
This kind of thing continued in various other forms, until I gradually got the message that I was very, very alone in my thoughts and views. Even my girlfriend didn’t know what to make of my behavior, and was disturbed by my words and my anger, and the uncomfortable living situation they created for us. As the gloom of that realization and of that climate of cultural self-recrimination encircled me, I withdrew, holed up, and learned to keep my thoughts largely to myself. I had not at that point gotten wind of the budding “blogosphere”, much less managed to find solace in writers who felt as I did. I felt utterly and completely alone. I had to save myself, I concluded — to get out of an environment where I felt trapped and poisoned — but my remaining resources were by then very limited, and I had made the mistake of letting myself become financially dependent on what had become a very deeply psychologically bad situation for me. Gathering my last reserves of embattled optimism, I redoubled my job-hunting efforts. An attractive offer came in from my previous employer in February. I came very close to taking it, but my own need for self-rescue was not the only factor in play. My girlfriend was paddling hard against the proverbial current to finish her graduate degree, and needed me there for moral support. I stayed a while longer, keeping my feelers out for other, possibly more local job opportunities. Eventually another offer came from California, and with our savings dwindling and only a little over a month now left to go in the graduate program, I took it.
The fresh start did me good — being wanted, needed enough to be moved across the country by my new employer certainly helped to pick up my spirits. But I was still under the weight of a terrible gloom, still reeling from what I had been through and could not stop thinking about. I have an indelible image in my mind of sitting outside at lunch, looking up at a company building against a clear blue California sky — feeling simultaneously grateful to have a handle on my life and surroundings again, and somber with the weight of memories and thoughts I couldn’t shake.
At the program’s graduation ceremony in May of 2002, which I returned to attend, the college’s president followed his expression of sympathy for the 9/11 victims and their families with an expression of his profound shame at being an American in these times — for which, to my astonishment and disgust, he was roundly applauded and cheered. It took all my self control and decorum not to hiss and boo at this display of insular, ungrateful, self-righteous pontification.
Those who’ve kept track of the post-9/11 timeline will recall: Our nation’s response was still confined to the war in Afghanistan, back then.
I held my tongue. This day belonged to the hard-fought achievements of those who were being awarded their degrees, my girlfriend among them, and I did not want my own self-indulgence to detract from that. If only the college president had felt the same. Apparently, either no one objected, or they were just as silent about it as I was.
Prior to the events of September 11th, 2001, I had developed an awareness of our gloomy climate of cultural self-doubt, idle self-recrimination, and intellectually fashionable college campus radicalism — first with startled dismay, then with grim resignation — and naïvely supposed that the appearance of some new, bona fide external threat would eventually wake us out of our idle funk. In hindsight, I could not have been more mistaken. The roots of our cultural self-distrust run far, far deeper than I had ever dared suppose, casting our future as a country, culture, and civilization into serious doubt. To this day, I find myself deeply troubled by the question of what, if anything, we can do to recover from the sad state we seem to be stuck in, and for all my usual optimism I find it hard to imagine a day when I won’t have cause for such worry.
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